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From a producer's perspective, StageCenta is easy to use, provides the flexibility I need and is exceptionally great value. 

I wouldn't sell my tickets with any other agency.

Peter Young
Pinnacle Players
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StageCenta is a game-changer for managing production ticketing! The all-inclusive ticket booking and management system is so organised, intuitive, user-friendly and cost effective not just for me but for my clients purchasing tickets. I love the 24hr availability which allows me to manage bookings for my productions when it suits me. 

The customer service is second to none. Richard and the team are professional, competent and most importantly, available.

Engaging StageCenta for my ticketing needs saves me hours upon hours and allows me to focus on the fun creative stuff (preparing my production) rather than the boring stressful admin stuff!

StageCenta offers a blue-ribbon service I have been using StageCenta since its inception and I can't imagine staging a production without it. I can't recommend StageCenta enough. 

Natalie Pearse
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Pointe2Pointe

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James Valentine Upbeat Revue - Touring 2025

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Stagecenta  profiles
Find profiles of your favourite actors or creatives.
Featured  performer
Actor Kate Baxter

Growing up in Brisbane, Kate Baxter was surrounded from an early age by the world of musical theatre. Recently Kate completed her CERT IV in Muiscal Theatre at the Brisbane Academy of Musical Theatre, and is currently there the performance course this year. Recent credits include BOY FROM OZ (2019) and OKLAHOMA (2019) at Savoyards's theatre company. Along with Rusty in FOOTLOOSE (2021) Concord in SPAMALOT (2021), Rosie in SWEET CHARITY (2021), Hunyak, US. Roxie. US. Mary sunshine in CHICAGO (2022)  and most recently the Bakers Wife INTO THE WOODS (2022) all at the Australian Academy of Performing Arts
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The Dictionary of Lost Words
Featured  show
The Dictionary of Lost Words

In 1901, the word bondmaid was discovered to be missing from the Oxford English Dictionary. The Dictionary of Lost Words is the story of the girl who stole it.

South Australian novelist Pip Williams’ internationally best-selling book, comes to vivid life in this critically acclaimed stage adaptation by South Australian playwright, Verity Laughton.

Motherless and ever curious, Esme spends her childhood in the Scriptorium – the “Scrippy”, a converted garden shed in Oxford where her father and a team of lexicographers guided by Dr James Murray are gathering words for the very first Oxford English Dictionary.

She hides beneath the sorting table and catches a word on a “slip” as it falls and soon, she finds other words that have been neglected by the men. Here begins Esme’s collection of her own: the Dictionary of Lost Words.

As the years pass, Esme realises that little importance is placed on recording the words and meanings relating to women’s experiences and as her world expands and her circle of friends grows – actresses, suffragettes, market traders, workers, she realises the power in their silenced voices and decides to lend them hers. And on the way, she comes to understand the many meanings of the word “love”.

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